By Tim Edwards
Providing a survey of the social, cultural and theoretical concerns which encompass and tell our realizing of masculinity, this e-book explores the interface among conventional sociological ways and the paintings coated by means of extra post-structural, media-driven or cultural views. Edwards renowned for his paintings on representations of masculinities, makes use of grounded examples of the activity marketplace and household violence to set his theoretical dialogue. He argues that there's a want for extra discussion on males and masculinities among disciplines, and considers the validity of the worries and anxieties which encompass masculinity within the modern international via quite a number key issues, together with: the recent guy, the hot lad and ‘men’s pursuits’ males, masculinity and violence marginalized masculinities: black masculinity and homosexual male sexuality queer thought, performativity and style cinema, illustration and the physique. the most complete and innovative reports of contemporary masculinity on hand, this ebook may be crucial examining for college kids of gender, tradition and sociology.
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Extra resources for Cultures of Masculinity
Some men are indeed suffering, whether through lack of prospects for themselves or feelings of being left behind in a race they have no control over, some or even many men do feel powerless and some men are living Femenism 29 with women who demand too much of them or who do better at work and earn more than they do for reasons they cannot understand, and they do get confused and it does hurt and they do feel guilty for wanting to be sexually aggressive or even just getting erections on the wrong occasions and they do get laughed at and they don’t know how to articulate their feelings, and they don’t know how to get help and they don’t know what to do about any of it and—more particularly—little, if any, of the barrage of pro-feminist books on the subject of masculinities offers much engagement with this.
Sam Keen similarly attempts to weld such assertions of emotional damage and Jungian mythopoetic concepts linked to wider environmental and political concerns relating to the welfare of the planet (Keen, 1991). It should be pointed out, however, that there are variations both within and between these perspectives. For example, Farrell’s The Myth of Male Power (1993)—while drawing on Bly’s Iron John for some of its inspiration—is rather different. As a former member of the board of directors for NOW (National Organization for Women), Farrell’s work is both more heavily based on a more sociological understanding of sex roles and more heavily and directly premised on a—very negative—response to second-wave feminism.
Kimmel and Kaufman then proceed to link the rise of the men’s movement to a supposed crisis of masculinity linked to wider structural changes and their psychological impact on white middle-class heterosexual men. Bly’s work is then deconstructed and severely critiqued on four counts: first, for its reconstruction of essentialist understandings of masculinity; secondly, for its inversion of feminist psychoanalytic theory on masculinities including the work of Chodorow and Dinnerstein; thirdly, in relation to its ‘anthropological androcentrism’ and ‘historical hokum’ or, to put it more simply, its highly selective use Femenism 27 and indeed misuse of temporal and spatial evidence from other cultures; and fourthly, for its retreat to a lost image of boyhood and homosocial bonding.