By Enenkel, K.A.E. (ed.), Smith, P.J. (ed.), Karel A. E. Enenkel, Paul J. Smith
Ранняя современная зоология: животные в области науки, литературы и изобразительного искусства .Художественный прогресс в живописи и рисунка привел к точности изображения животных в иллюстрациях.Сборник представляет интерес для студентов изучающих историю науки , литературы и искусства .The new definition of the animal is likely one of the interesting beneficial properties of the highbrow lifetime of the early glossy interval. The 16th century observed the discovery of the hot technology of zoology. This went hand in hand with the (re)discovery of anatomy, body structure and – within the seventeenth century – the discovery of the microscope. the invention of the hot global faced intellectuals with hitherto unknown species, which chanced on their means into courtly menageries, interest cupboards and educational collections. inventive development in portray and drawing led to a brand new precision of animal illustrations. during this quantity, experts from a variety of disciplines (Neo-Latin, French, German, Dutch, heritage, background of technological know-how, paintings historical past) discover the interesting early smooth discourses on animals in technology, literature and the visible arts. the quantity is of curiosity for all scholars of the background of technology and highbrow existence, of literature and artwork background of the Early smooth interval.
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Additional resources for Early Modern Zoology: The Construction of Animals in Science, Literature and the Visual Arts (Intersections)
Artistic progress in the visual arts offered new options for animal description, which were reinforced by the printing press and the reproduction of identical graphic illustrations and their dissemination among larger audiences. To us, these features may seem very familiar. They suggest close connections between the early modern and modern periods. Nowadays, zoology, as a main branche of biology, is totally established in the system of sciences. e. enenkel and paul j. smith and furnished with highly developed technical means.
Vignau-Wilberg T. – Irblich E. , Le Bestiaire de Rodolphe II. Cod. min. 129 et 130 de la Bibliothèque nationale d’Autriche (Paris: 1990). -C. – Balis A. , De albums van Anselmus De Boodt (1550 –1632). Geschilderde natuurobservatie aan het Hof van Rudolf II te Praag (Tielt: 1989). 23 See also Egmond F. – Mason P. ), The Whale Book. , Het Visboek. De wereld volgens Adriaen Coenen 1514–1587 (Zutphen – The Hague: 2005). , The Image of the Stag. Iconographic Themes in Western Art (Baden-Baden: 1992).
In his provocative Apologie de Raymond Sebond, the French sceptical philosopher Michel de Montaigne problematises the supposed superiority of humans to animals. ’29 These provocative statements aroused reactions from, among others, Descartes, who considered the animal as a ‘beast-machine’. , Dürer’s Animals (Washington – London: 1991). , L’histoire naturelle et les branches connexes dans l’oeuvre de Rabelais (Paris: 1921). , “Sympathy in Eden. On Rubens’s and Brueghel’s Paradise with the Fall of Man”, forthcoming in Intersections 9.