By Walt Crawford
In his trademark casual, irreverent, and fascinating sort, popular library author and speaker Walt Crawford attracts on his wealth of expertise as he assures would-be librarian-writers that they rather well may have anything worthy announcing. continuing matter-of-factly, he dissects what it fairly takes to jot down for library colleagues, countering conventional "received wisdom," whereas wondering the "powers that be." no matter if you are on a tenure song and wish your articles to provide extra excitement than discomfort, or simply have anything to percentage with colleagues, those feedback will consultant you in making either your writing and conversing tell, clarify, light up, synthesize, exhibit, and entertain your viewers. you are going to research: how you can construct self belief in what you need to say and nix writer's block; the best way to make your mark by means of holding your detailed character in articles and speeches; The pro's insights for facing the fundamentals of copyright and agreement clauses; who're all these gatekeepers - referees for journals, editors, publishers; the best way to paintings with them to get released - and while to move out by yourself; whilst to decline to energy aspect on your displays; while you are able to take your next step in increasing your specialist improvement, are prepared to recognize your personal actual type, and feature a few details to impart for your colleagues, then allow writing professional Walt Crawford provide you with a head begin in your writing profession.
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Extra info for First Have Something to Say: Writing for the Library Profession
Not at all—but as a writer or reader, it’s useful to understand the distinctions. Tell Me Something New In conclusion, you must have something new to offer, an addition to the literature. You must be willing to follow the forms of the journal and be a little more formal than in most other writing. You should expect more and different kinds of editorial comment than you might receive elsewhere, sometimes including suggestions for major rewrites. Do these well, and you can add toprank journal credits to your vita.
Consider whether a communication on work in progress makes sense for you and for potential readers. This may be one of the trickiest informal article types, as you must avoid making promises that might be broken and you must also be alert to confidential situations. When everything works, and when the lead-time of your publishing outlet is short enough, a good work-in-progress communication can be wonderful. You let the field know that something’s happening while you promote the process itself and your institution’s part in that process.
If an editor suggests or makes a change that causes an error, just correct it—and it doesn’t hurt to admit that your own prose may have been ambiguous. If an editor suggests a change that confounds your intent or weakens your prose, you might object, but think about it first. You might even show the original and suggested changes to colleagues. Is the original really better? Do you have friends who will criticize your golden words? Be blunt when you need to be, preferably within a polite envelope.