Download Hide and Snake Murder (A Shay O'Hanlon Caper) by Jessie Chandler PDF

By Jessie Chandler

Book within the riotous caper sequence starring Shay O'Hanlon and her trouble-prone pals
whilst Shay O'Hanlon's ill-mannered good friend Baz steals a crammed snake from a prosperous businessman, he wasn't looking forward to it to be choked with cash. Nor was once he looking forward to his aunt Agnes to take it along with her on holiday to the large Easy.
With trigger-happy thugs in sizzling pursuit, Shay leads her acquaintances on a rowdy rescue challenge from Minneapolis to New Orleans and again. alongside the best way, a bungled housebreaking places the group in a drug cartel's go hairs, and a gorgeous professor bargains the single manner out. yet can Shay and the crowd belief her with their lives?
</i>[i]Hide and Snake homicide gained a 2013 IPPY (Independent Publisher's booklet Award) and a 2013 Golden Crown Literary Society Goldie Award
 
"The entourage of loveable and multigenerational characters is simply correct for these searching for a madcap romp."
<span><span>--<i></span>LIBRARY JOURNAL[/i]</span>[i]
"A rip-roaring sequel. lovers of comedian cozies are in for a wild, relaxing ride."
<span>--<i>PUBLISHERS WEEKLY
</span>[/i]</i><em> </em>

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Extra resources for Hide and Snake Murder (A Shay O'Hanlon Caper)

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12 The Fiesta planners thus merged Greek mythology, references to popular opera, Shakespeare, and Native American exoticism into their celebration of the city’s Mexican-Spanish roots, all for the benefit of Anglo tourists and potential new residents. (For the record, it is highly unlikely that Native Americans were much involved in this representation, since their numbers had dwindled sharply with the coming of first the Spanish and later the Anglos. ) There was more, of course. A Grand Fiesta Concert was offered by the Music Committee at Hazard’s Pavilion, with the Grand Fiesta Chorus and Orchestra directed by Mr.

23 That act of healing between the old and the new never took place. In addition to paying its members, Stamm’s Philharmonic represented a new departure in the orchestral sound heard in Los Angeles. It was the first group to abandon the old high pitch used in bands (and commonly employed by the brass and wind players when they joined the strings), thereby taking on a more truly symphonic sound and taking an innovative forward step: “Up to the advent of the Philharmonic Orchestra organized by A. J.

The Tribune’s numbers were 24 / Music for the “People” higher. It seems reasonable to guess that for the seven performances, the total audience numbered on the order of twenty thousand and may well have been more. The city’s total population (including the very young and the very old) would not reach fifty thousand for another three years (or one hundred thousand if the surrounding towns are included). 18 At least half the town’s adult population was “elite” for the week, if the claims to such status for opera are to be taken seriously.

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