By Donald Patterson, Donald L. Patterson
This consultant to the piano literature for the one-handed pianist surveys over 2,100 person piano items which come with not just live performance literature yet pedagogical items besides. Following the advent are 4 chapters cataloguing unique works for the perfect hand on my own, unique works for the left hand by myself, tune prepared or transcribed for one hand by myself, and concerted works for one hand in live performance with different pianists, tools, or voices. every one access assesses the person composition, its caliber, its trouble, its specific charm, and its makes use of with the composer's identify, dates, and nationality, the place attainable. additionally incorporated is a particular discography of commercially produced phonodiscs, compact discs, and cassettes.Instructors and pianists alike will savour this exhaustive consultant to one-handed piano tune. to help additional study, a bibliography of books, articles, and theses in regards to the literature is supplied besides a bankruptcy that lists the contents of thirty-six anthologies dedicated to one-handed piano tune. This certain reference additionally comprises an index.
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This consultant to the piano literature for the one-handed pianist surveys over 2,100 person piano items which come with not just live performance literature yet pedagogical items besides. Following the creation are 4 chapters cataloguing unique works for the perfect hand by myself, unique works for the left hand by myself, song prepared or transcribed for one hand on my own, and concerted works for one hand in live performance with different pianists, tools, or voices.
Additional info for One Handed: A Guide to Piano Music for One Hand (Music Reference Collection)
A32p] R34. Ganz, Rudolph (1877-1972) Switzerland/USA Capriccio in E-flat for the Right Hand, Op. 26 No. 2. New York: G. Schirmer, 1917 and 1945. Publisher plate number 27932. Dedicated to Lester Donahue. 7 p. Allegro moderato — Tempo di Gavotta. Concert piece which could be paired with No. 1 from this set for left hand alone. Thin texture, dance-like with a walloping big ending. Ternary form. Middle section is contrasting in nature. Coda builds to a climax. Fingering and pedaling suggested. Use of sustaining pedal required in "B" section.
Single line at all times, no chords used. " Pedal marked for the pianist. A serious concert work. Perhaps more suitable for the flute than the piano. (Boston Conservatory of Music) [D36a] R30p. Fisk, Beatrice Hatton (1903-1977) USA A Right Hand Trick. , c. 1944. 2 p. " This teaching piece is a traditional upper elementary level flowing waltz. Ternary form. G major-D major-G major, conventional harmonies. There are simple chords, single notes, chromatic passages, and some arpeggios. Pedaling and fingering given.
R" numbers identify original works for the right hand. Number designations that include a "p" are assigned to works that are more suitable for pedagogical purposes. g. [A12], refer the reader to entries in other chapters in the book. An asterisk (*) before a listing indicates that the work has been edited/fingered or composed for either hand. Rl. Absil,Jean (1893-1974) Belgium Trois Pieces de piano pour la main droite (Three Pieces for the Right Hand Alone): Piece heroi'que, Piece tendre, Piece gaie, Op.