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By Pol O?Dochartaigh

This quantity brings jointly papers via students from Germany, america, France, England and eire given on the first foreign Feuchtwanger convention, held in la in 2003. a few of Lion Feuchtwanger’s novels from his exile within the usa are analyzed the following, as are the lives of Lion and Marta Feuchtwanger and their contacts within the German émigré international in California. furthermore, papers specialise in points of Bertolt Brecht’s and Alfred Döblin’s lives as emigrants in California. This quantity is of curiosity to scholars of exile experiences, of German shelter within the united states and of recent German literature.

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Extra resources for Refuge and Reality: Feuchtwanger and the European Emigres in California (German Monitor 61)

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403. 144-45. 404. 183-84. 409-10. 388. 35 Ibid. 36 41 Harold von Hofe, ‘Lion Feuchtwanger and America’, in John M. , Lion Feuchtwanger. 3350 (here 42). 410. This page intentionally left blank Ian Wallace Hangmen also die. Varieties of Collaboration Hangmen also die (1943) is generally regarded today as one of the most important anti-Nazi films to come out of Hollywood. Besides exploring the troubled collaboration between Fritz Lang and Bertolt Brecht during the making of the film, this chapter focuses on its depiction of the underground resistance in Prague following the assassination of the Reichsprotektor, Reinhard Heydrich.

Das Erlebnis des Todes der Tochter und das Gespräch zwischen Elead und Jefta sind zugleich die Ausgangspunkte für die ‚Wandlung’ des Jefta, über die Feuchtwanger sich mehrfach äußerte. Ganze vier Kapitel zerrte Jefta an den Stricken, mit denen er selbst sich fesselte. Erst jetzt erfolgt die Befreiung, erst jetzt verändert seine Psyche sich nachhaltig. Die Erkenntnis, dass der Gott, dem er seine Tochter geopfert hatte, ‚nicht war’, dass sein Opfer sinnlos war, lässt die Erkenntnis reifen, dass es gerade jetzt möglich sei, etwas Gutes für sein Volk zu tun: Nun er, Jefta, das Große, Törichte getan hatte, wollte der Priester es nützen – und hatte er nicht recht?

144-45. 404. 183-84. 409-10. 388. 35 Ibid. 36 41 Harold von Hofe, ‘Lion Feuchtwanger and America’, in John M. , Lion Feuchtwanger. 3350 (here 42). 410. This page intentionally left blank Ian Wallace Hangmen also die. Varieties of Collaboration Hangmen also die (1943) is generally regarded today as one of the most important anti-Nazi films to come out of Hollywood. Besides exploring the troubled collaboration between Fritz Lang and Bertolt Brecht during the making of the film, this chapter focuses on its depiction of the underground resistance in Prague following the assassination of the Reichsprotektor, Reinhard Heydrich.

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