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By Anna Powell, Andrew Smith

Gothic stories has develop into an important and renowned aspect within the English measure curriculum and a swiftly increasing foreign educational box. educating the Gothic presents a transparent and available account of the way scholarship at the Gothic has inspired the best way the Gothic is taught. The publication examines a variety of themes together with Gothic feedback, conception, Romantic Gothic, Victorian Gothic, Postmodern Gothic, girl Gothic, Gothic Sexualities, Gothic movie, Imperial Gothic, Postcolonial Gothic and Postgraduate advancements. Written through major teachers operating within the US, UK, and Canada, this ebook is a necessary consultant for academics and students of the Gothic.

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Mario Praz, The Romantic Agony, trans. Angus Davidson (Oxford: Oxford University Press, [1933] 1970) 1. Robert Kiely, The Romantic Novel in England (Cambridge, MA: Harvard University Press, 1972). See, for example, Michael Gamer, Romanticism and the Gothic: Genre, Reception, and Canon Formation (Cambridge: Cambridge University Press, 2000). Montague Summers, The Gothic Quest: a History of the Gothic Novel (New York: Russell and Russell, [1938] 1964); Devendra P. Varma, The Gothic Flame: Being a History of the Gothic Novel in England: Its Origins, Efflorescence, Disintegration, and Residuary Influence (1957; New York: Russell and Russell, 1966).

Carol Margaret Davison, Anti-Semitism and British Gothic Literature (Basingstoke: Palgrave Macmillan, 2004); Jules Zanger, “A sympathetic vibration: Dracula and the Jews,” ELT 34 (1991), 33–43; Ernest Fontana, “Lombroso’s criminal man and Stoker’s Dracula,” Victorian Newsletter 66 (1984), 25–7; Daniel Pick, Faces of Degeneration: a European Disorder, c. 1918 (Cambridge: Cambridge University Press, 1989). 45. See, for example, Richard J. Walker, “Blooming corpses: burying the literary corpus in the modern city,” Gothic Studies 4/1 (May 2002) 1–13; Maggie Kilgour, The Rise of the Gothic Novel (London: Routledge, 1995); Joseph Grixti, Terrors of Uncertainty: the Cultural Contexts of Horror Fiction (London: Routledge, 1989); David Punter, “Arundhati Roy and the House of History,” in Andrew Smith and William Hughes, eds, Empire and the Gothic: the Politics of Genre (Basingstoke: Palgrave Macmillan, 2003) 192–207.

See Michel Foucault, The History of Sexuality: An Introduction (London: Penguin, 1984) 1–13. Baldick and Mighall, “Gothic criticism,” 211–21. Dorothy Scarborough, The Supernatural in Modern English Fiction (New York: Putnam, 1917). Edith Birkhead, The Tale of Terror: a Study of the Gothic Romance (New York: Russell and Russell, [1921] 1963). Eino Railo, The Haunted Castle: a Study of the Elements of English Romanticism (New York: Humanities Press, [1927] 1964). Mario Praz, The Romantic Agony, trans.

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