By Nicola J. Watson
You've got already learn the publication - why stopover at where? while and why did readers begin traveling websites with literary institutions - no matter if writers' graves, birthplaces, homes, or the atmosphere in their novels? This unique, witty, illustrated examine deals the 1st analytical heritage of the increase and improvement of literary tourism in nineteenth-century Britain, linked to authors from Shakespeare, grey, Keats and Burns to Scott, the Brontë sisters, and Thomas Hardy. crucial for the coed of literature, the commute literature and the tourism of the 19th century.
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Extra info for The Literary Tourist: Readers and Places in Romantic and Victorian Britain
13 But this model would begin to An Anthology of Corpses 29 decay towards the end of the century. 14 Although the concept of marking public gratitude to a writer persisted within the Abbey, the culture became far more invested in founding statements of public gratitude upon actual corpses, both within the Abbey and outside it. Papering-over the epistemological difference between memorial and remains was very much a nineteenth-century concern. The relation between authorial body, text, memorial and literary tourist would become highly charged from about the 1780s throughout the nineteenth century, and the question of where those mortal remains were left behind was to become altogether more pressing.
16 Symptomatically, he involves himself in speculation in order to recruit the embarrassingly absent Shakespeare, or if not Shakespeare, then at least, rather absurdly, his pen: [Spenser’s] hearse was attended by poets, and mournful elegies and poems, with the pens that wrote them, were thrown into his tomb. What a funeral was that at which Beaumont, Fletcher, Jonson, and, in all probability, Shakespeare attended! 17 If the absence of Shakespeare was thoroughly unsatisfactory, so too were the various absences of Gray, Wordsworth, Southey, Burns and Scott, though the Dean comforts himself with a conceit of the spiritual 30 The Literary Tourist extension across the national map of the idea of the Abbey: ‘[E]ven London is, or ought to be insignificant compared with England; .
Literary worthies were to be gathered here to represent British culture, and the site around Chaucer’s grave now began to develop into a national compendium of the greats, an area of the building where writers could receive public honour as servants of the nation no less worthy in their way than soldiers or statesmen. 5 The otherwise unprecedented practice of memorialising the poet in An Anthology of Corpses 27 absentia was inaugurated with the memorial put up in the early 1700s by the son of Thomas Shadwell, Poet Laureate in the reign of William and Mary, who was actually buried in Chelsea in 1692.