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By Katheryn Wright

Representations of a teenage lady who's specific or particular happen time and again in coming-of-age tales. it really is an impossible to resist suggestion: the heroine who turns out similar to any other, yet lower than the outside, she has the aptitude to alter the realm. This publication examines the cultural importance of sweet sixteen and younger grownup lady characters—the New Heroines—in pop culture. The e-book addresses a variety of examples essentially from the earlier twenty years, with numerous chapters concentrating on a selected heroic determine in pop culture. furthermore, the writer bargains a comparative research among the "New lady" determine from the overdue nineteenth and early twentieth century and the recent Heroine within the twenty first century. Readers will know how representations of juvenile ladies in fiction and nonfiction are situated as heroic due to their skill to determine approximately themselves through connecting with other folks, their surroundings, and know-how.

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Additional resources for The New Heroines: Female Embodiment and Technology in 21st-Century Popular Culture

Example text

There’s something embedded in a person, from the time that person was born, that will enable him or her to be great or powerful. All that person, his or her parents, the government, or the corporate marketing machine needs to do is recognize what that potential is, so it can be nurtured and cultivated. Things can go very bad—that person’s potential may be squandered—but potential can also act as the proverbial bootstrap that a person uses to pull himself or herself out of poverty. Maybe people initially didn’t give someone much credit because of his or her upbringing, yet somebody noticed that the person was special, and that was all it took to get on the right path.

For one, it locates potential as part of the material reality of the body. There’s something embedded in a person, from the time that person was born, that will enable him or her to be great or powerful. All that person, his or her parents, the government, or the corporate marketing machine needs to do is recognize what that potential is, so it can be nurtured and cultivated. Things can go very bad—that person’s potential may be squandered—but potential can also act as the proverbial bootstrap that a person uses to pull himself or herself out of poverty.

The marked bodies of these characters include visible differences in appearance, age, or costume, along with behaviors, movements, and desires. Zoey Redbird in the House of Night series offers a compelling example of a girl with potential who is defined by her unique abilities in the vampyre world. She is made more compelling because her marked body not only indicates the heroism that she may someday be capable of within the vampyre community, but it also separates her from human communities. At the same time, she represents a cross-section of differentiated identities and intensities that combine to produce her unique brand of new heroism.

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