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By Michael D. Goulder

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Extra resources for The Psalms of the Sons of Korah (JSOT Supplement)

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42. The contrast between the present sadness and the expected transport of joy, with music and sacrifice in God's presence, could hardly be more powerfully drawn; and the refrain which broke and ended 42 restates the speaker's rising hope once more. It seems therefore that the whole of 42-43 can be accounted for without recourse to empty accounts of their particular features, the Jordan-Hermon-Mizar-cataracts-waves elements, or 'symbolic' explanations, or emendations of the text; once we allow the hypothesis that the setting has nothing to do with worship at Jerusalem, but is a national pilgrimage to Dan.

Hope thou in God: for I shall yet praise him, The help of my countenance and my God'; 42 closes with the identical verse, and almost the same words form 42:5. The two psalms are in the same 3:2 (Qinah) metre. So it looks as if they belonged so closely together that they did not require a second heading. 42 has more the nature of a lament, 43 of a prayer; perhaps they belonged together at the beginning and end of some liturgy,1 or by a similar link. The situation underlying 42-43, however, has been a problem, and various proposals have been made to explain it.

42:9, 'Why hast thou forgotten me? '; 43:2, 'Why hast thou cast me off? ' 43 closes with the verse, 'Why art thou cast down, O my soul? And why art thou disquieted within me? Hope thou in God: for I shall yet praise him, The help of my countenance and my God'; 42 closes with the identical verse, and almost the same words form 42:5. The two psalms are in the same 3:2 (Qinah) metre. So it looks as if they belonged so closely together that they did not require a second heading. 42 has more the nature of a lament, 43 of a prayer; perhaps they belonged together at the beginning and end of some liturgy,1 or by a similar link.

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