By Fred Sokolow, Fred Sokolow
This book/CD pack is a whole survey of slide guitar, its pioneers, and the way it built. It contains: 6 note-for-note transcriptions of well-known slide tunes - Come On in My Kitchen (Robert Johnson) * Motherless little ones (Mance Lipscomb) * Roll and Tumble Blues ("Hambone" Willie Newbern) * you cannot Lose What You Ain't by no means Had (Muddy Waters) * You Gotta movement ("Mississippi" Fred McDowell) * You Shook Me (Earl Hooker with Muddy Waters).; guide within the crucial enjoying kinds; the historical past and the advance of slide guitar; biographies of its consultant artists; and recordings on CD of the songs, routines and licks.
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L. a. m? sica desconcierta al an? lisis. Ese arte de l. a. presencia, que no muestra ning? n objeto, que no es m? s que una acumulaci? n de mediadores --instrumentos, partituras, int? rpretes, escenarios, medios de comunicaci? n. .. --, parece ser, sin embargo, los angeles encarnaci? n de l. a. inmediatez, l. a. expresi?
This consultant to the piano literature for the one-handed pianist surveys over 2,100 person piano items which come with not just live performance literature yet pedagogical items in addition. Following the advent are 4 chapters cataloguing unique works for the best hand by myself, unique works for the left hand on my own, tune prepared or transcribed for one hand by myself, and concerted works for one hand in live performance with different pianists, tools, or voices.
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Additional resources for The Roots of Slide Guitar (Guitar Collection)
69. Robin D. G. Kelley, “We Are Not What We Seem: Opposition in the Jim Crow South,” Journal of American History, vol. 80, no. 1 (June 1993): 76–77. 70. Ishman Bracey, 1928, quoted in Haralambos, Right On: From Blues to Soul in Black America, 77. 71. Ralph Ellison, Shadow and Act (New York: Signet Books, 1966), 104. 72. Paul Garon, Blues and the Poetic Spirit (San Francisco: City Lights, 1966), 193. 73. B. King: King of the Blues, vol. 2, 1966–69, MCA Records, 1992, originally Bluesway single, 61024.
As the length of the box, with a central wooden partition, was twice the width, this allowed eighty or more records to be placed in it. Many a dealer, like Dave Carey at the Swing Shop, Streatham, had literally dozens of orange boxes ﬁlled with 78s. Sales of jazz and blues records increased markedly at this time. During and after the War, one or two small magazines were published, most notably Jazz Music edited by Max Jones and Albert McCarthy. They had to pretend to some academic credentials, for instance, as members of the “Jazz Sociological Society,” in order to meet wartime requirements on the use of paper.
Html, February 2000. 31. Michael Urban with Andrei Evdokimov, Russia Gets the Blues: Music, Culture, and Community in Unsettled Times (Ithaca and London: Cornell University Press, 2004), 1. 32. Times, March 15, 1919. 33. Jen Wilson, “Black Soul, Welsh Hwyl: Black Music in Wales, 1870–1935,” paper, “ ‘Overseas Blues’: European Perspectives on African American Music,” University of Gloucestershire, July 23–26, 2004. 34. Times, April 8, 1939, and see issues for 1937 detailing radio broadcasts. 35.