By Shirley Damsgaard
Cupid has forged his spell on sturdy witch Ophelia Jensen. the sensible, pragmatic, law-abiding librarian has simply started letting down her hair with Stephen Larsen, the writer of a few of the main scandalous crime exposés ever written. It's a fit made within the stacks—until the would-be enthusiasts take a quiet geographical region walk, and pictures ring out.
A assassin, no longer magick, made Stephen disappear—and Ophelia can be subsequent. The sheriff warns her and her grandmother Abby to not meddle, yet after one other taking pictures leaves them shaken the ladies can't aid yet get entangled. A sinister stalker is slowly drawing toward Ophelia, and she'll need to summon all her powers to avoid herself from finishing up six ft under.
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Additional info for The Witch's Grave (Ophelia & Abby Mysteries, Book 6)
12 The Fiesta planners thus merged Greek mythology, references to popular opera, Shakespeare, and Native American exoticism into their celebration of the city’s Mexican-Spanish roots, all for the beneﬁt of Anglo tourists and potential new residents. (For the record, it is highly unlikely that Native Americans were much involved in this representation, since their numbers had dwindled sharply with the coming of ﬁrst the Spanish and later the Anglos. ) There was more, of course. A Grand Fiesta Concert was offered by the Music Committee at Hazard’s Pavilion, with the Grand Fiesta Chorus and Orchestra directed by Mr.
23 That act of healing between the old and the new never took place. In addition to paying its members, Stamm’s Philharmonic represented a new departure in the orchestral sound heard in Los Angeles. It was the ﬁrst group to abandon the old high pitch used in bands (and commonly employed by the brass and wind players when they joined the strings), thereby taking on a more truly symphonic sound and taking an innovative forward step: “Up to the advent of the Philharmonic Orchestra organized by A. J.
The Tribune’s numbers were 24 / Music for the “People” higher. It seems reasonable to guess that for the seven performances, the total audience numbered on the order of twenty thousand and may well have been more. The city’s total population (including the very young and the very old) would not reach ﬁfty thousand for another three years (or one hundred thousand if the surrounding towns are included). 18 At least half the town’s adult population was “elite” for the week, if the claims to such status for opera are to be taken seriously.